File Conversion Lab

Model FC-24 · Audio conversions shown as photo conversions
Pick a conversion · the photo shows what the same kind of conversion does to a picture
Original master
Converted
Click either photo to move the magnifier. Your own photo shows lossy artifacts even better than the built-in scene.
Sample rate, bit depth, bitrate · three things people mix up, explained simply and then shown
1
Sample rate is the frame rate of sound
How many snapshots of the sound are taken every second. "44.1 kHz" just means 44,100 snapshots per second, the same way a camera shoots 24 frames per second. It's a counting speed, not a sound you hear. It decides how high a pitch can be captured.
The camera version · a bouncing ball, filmed frame by frame
The sound version · one pitch, measured as dots
SnapshotsPitch
2
Bit depth
Bit depth refers to the number of bits of information captured in every single audio sample, which directly determines the amplitude resolution of your digital recording. It measures how accurately you capture the volume of that sound (the vertical amplitude axis).
Bars = snapshots · grey lines = the levels a snapshot is allowed to land on
Magnifier · a tiny piece of the same wave, zoomed way in
What that means for quiet sounds · loudest at the top, hiss at the bottom
Bit depthSnapshotsRecorded level
3
Bitrate is the size of the backpack
How much data per second a file is allowed to use. For MP3 and other lossy files, the encoder decides what to leave behind to fit.
Format
File size · megabytes per minute of stereo audio
Key guide · what to deliver
DestinationUpload thisWhat listeners get
Spotify (music, via your distributor)FLAC preferred, WAV accepted · 44.1 kHz or higher · 24-bit if that's your native master (16-bit only if no higher master exists) · stereo. Spotify asks you not to downsample or reduce bit depth yourself.Ogg Vorbis ≈ 24 / 96 / 160 / 320 kbps (Low → Very high) · Lossless up to 24-bit/44.1 kHz FLAC on Premium
Apple Music24-bit master at the highest native sample rate (Apple Digital Masters). No upsampling, no padding 16-bit up to 24.AAC, plus lossless/hi-res lossless
Apple PodcastsWAV/FLAC 44.1–192 kHz, 24-bit recommended, stereo — or MP3 at 44.1/48 kHz: stereo 128–256 kbps, mono 96–128 kbps · loudness ≈ −16 LKFS ±1, true peak ≤ −1 dBFSApple's own encode
Spotify podcasts (Spotify for Creators)MP3, M4A or WAV, mono or stereo. No bitrate is specified — use 44.1/48 kHz, and MP3 at 128 kbps+ (or WAV) is a safe choice.Spotify's own encode
YouTubeAudio in the video: AAC-LC or Opus, 48 kHz, 384 kbps stereo (128 kbps mono)YouTube's own encode
Your archiveWAV or FLAC, 24-bit, at the rate you recorded (48 kHz for podcast/video). Every other file is made from this.—
MP3 bitrate ladder (stereo) · general guidance
BitrateMB / minGood for
320 kbps2.4Highest MP3 setting · music listening copies, sharing a mix
256 kbps1.9Music; top of Apple's podcast range
192 kbps1.4Music where size matters; very good podcasts
128 kbps0.96Podcasts and speech (stereo). Music artifacts can be audible on good speakers
96 kbps0.72Mono speech podcasts (Apple's mono recommendation: 96–128)
64 kbps and below≤ 0.48Mono speech only, in a pinch · music sounds watery and dull